Journal
Short notes on material, light, makers and the practice of slow design.
Why we keep returning to matte, breathing walls, and how lime ages so gracefully.
A concept where I'd arrange the rooms by following the passage of the day.
One solid oak kitchen island, and the quiet value of details made by hand.
Notes on Scandinavian calm, and what of it can be carried home to Budapest.
Why we almost always start from three or four warm, earthy tones.
How a small Budapest flat feels spacious without knocking down a wall.
A good room never runs on a single ceiling light.
The textile that looks good even crumpled, and only improves with age.
The most common living-room mistake, and how to avoid it.
It's not about the trendy fronts, it's about the workflow.
Why a room feels warmer when it holds something old.
The greenery that warms a room, if you choose well.
The first few square metres set the tone for the whole home.
How even a small bathroom can feel calm and spa-like.
What a classic Pest apartment can give you, if you pay attention.
What's worth investing in, and where you can happily save.